Re: [oldboys] last call for changes and updates -- cvs

["Ine Poppe" <ine@zoro.nu>]

Hi, here is my info

Ine Poppe (NL) works in Amsterdam as an artist, writer, director. She made a
mothermilkcheese (1983), made several televisionprograms, and did together
with Jetty Verhoeff the web-artproject Women with beards
http://www.dds.nl/~beards. Poppe published about technology & art, for
instance: http://www.nrc.nl/W2/Lab/Netkunst/3D/ wrote the filmscenario
NECROCAM, about a webcam in a coffin. She worked on multimediaprojects like
Demi Dubbel Teletijdmachine
http://www.waag.org/Waagsite98/whois.phtml?login=ine at the moment she works
on a documentary about cyberculture.

----- Original Message -----
From: "Clara Ursitti" <ursittiramsay@lineone.net>
To: <oldboys@lists.ccc.de>
Sent: Friday, June 22, 2001 1:37 AM
Subject: Re: [oldboys] last call for changes and updates -- cvs


> hiya,
>
> this is the last chance to add, change or update information before it
goes
> online.
> pls. feel free to add yourself (data), if you want your cv be included on
> the obn website.
>
> c.
>
>
>
> Alla Mitrofanova (RU) <twinsmi@yahoo.com>
> lives in St. Petersburg. She graduated from St.Petersburg university as
art
> historian and philosopher. Alla is a writer, curator and editor of the
> internet magazine "Virtual Anatomy": <http://www.dux.ru/vir>
> 1990-94 main topics were nomadic subjectivity and nomadic semiotics,
theory
> of m. 1995-98 topics: body theory, post-information theory.
>
>
> Amy Alexander (USA) <plagiari@plagiarist.org>
> has worked in film, video, interactive media, net art, and programming.
Her
> net art work explores dynamic processes, temporal structures, and being a
> script kiddie. She received her MFA from California Institute of the Arts,
> and
> also taught there for awhile. As of Fall 2001 will be living and teaching
in
> San Diego. Much of her work can be found at http://plagiarist.org
>
>
> Barbara Rechbach (AU) <rage@cheerful.com>
> lives in berlin. ma hypermedia studies at the university of westminster,
> london. working with digital media - interactive multimedia, video,
> webdesign. background in electronic arts and communication theory at the
> academy for applied arts in vienna and the hypermedia research centre
> london.
>
> >Clara Ursitti is literally led by the nose as her work is predominantly
> >scent based.   She is a Canadian/Italian, but has lived in Scotland since
> >1993.  She regularly exhibits internationally. She recently was awarded a
> >Wellcome Sci-Art Grant and has been invited to participate in the
> >Gothenburg Biennale 2001. ursittiramsay@lineone.net
> >
>
>
> Barbara Thoens (D) <nomade@cashh.ccc.de>
> political scientist, video activist ("Hacker packen aus", a film by Rena
> Tangens and Barbara Thoens), ex-bass-player, for more than 10 years active
> member of the Chaos Computer Club, currently working as a programmer for
the
> weekly newspaper DIE ZEIT in the online department.
> http://www.zeit.de
> http://www.ccc.de
>
>
> Bertha Jottar Palenzuela (USA) <bjp7185@is.nyu.edu>
> is a video artist from Mexico City who lived and worked between Tijuana
and
> San Diego for eight years. From 1988-1991, she was a member of Border Art
> Workshop/Taller de Arte Fronterizo. Founding member
> of the art collective Las comadres and collaborator with the artist and
> activist from Tijuana. Moved to New York in the Fall of 1994, Jottar is
> currently working on an experimental documentary about Afro-Cuban rhuma
> music in New York. She is finishing her Ph.D. in the Program of
Performance
> Studies at TISCH School of Arts at New York University.
>
>
> Caroline Bassett (GB) <sppa1@susx.ac.uk>
> is a lecturer in Media at Sussex University where she is researching
> narrative and hypermedia. She is also a technology journalist and writer.
>
>
> Claudia Reiche (D) <113052.1266@compuserve.com>
> M.A., Dipl. VK, Literary and media scientist, author, performer,
educational
> work at the University of Hamburg and at the Academy for Fine Arts
> Braun-schweig, on the staff of the Women's Culture House TheaLit Bremen,
> (there: concept and organisation of "Künst-liches Leben://
> Mediengeschichten", laboratory on media art and theory:
> http://www.thealit.dsn.de/LIFE/labor.htm. Actually member in the
VW-research
> project at the University of Hamburg "Bodyimages. Transformations of the
> Human Being in media and Medicine" directed by Prof. Marianne Schuller,
> focussing on "Living pictures. Medical visualization, artificial life and
> electronic entertainment", especially the Visible Human Project.
> Cyberfeminist member of the Old Boys Network. Curating with Helene von
> Oldenburg "The Mars Gallery", the first international and interplanetarian
> exhibition space for fine arts on Mars.
>
>
> Cornelia Sollfrank (D) <cornelia@snafu.de>
> is an artist, lives in Hamburg/Berlin/Celle, is lecturing at the
University
> of Oldenburg. Central to her conceptual and performative works are the
> changing notions of art, the advent of a new image of the artist in the
> information age, gender-specific handling of technology, new forms of
> disseminating art, and communication and networking as art. She was a
member
> of the women artist groups 'women and technology'and '-Innen+' and
initiated
> the cyberfemininist organisation 'Old Boys Network'. Her project FEMALE
> EXTENSION (1997) (http://www.obn.org/femext) was a hack of the first
net.art
> competition initiated by a museum, in which she flooded the museum's
network
> with submissions by 300 virtual female net artists. Her net.art generator
> (http://www.obn.org/generator) automatically produces art on demand. She
> published the readers "First Cyberfeminist International" (1988) and "Next
> Cyberfeminist International" (1999) (http://www.obn.org/reader). Sollfrank
> is currently producing work on the subject of female hackers.
> (http:/www.obn.org/hackers)
>
>
> Corrine Petrus (NL)
> <corrine@tech-women.nl>
> lives and works in Rotterdam. She is a computer-programmer with a great
> interest in communication and in people. In the beginning of 1996 she
> founded the Webgrrls Chapter in Holland and Belgium. Left Webgrrls in
1997.
> Now Corrine has her own Computer Consultancy Business called Webdiva
> http://www.webdiva.nl and is chairman a the new organisation, Tech Women
> http://www.tech-women.nl
>
>
> Ellen Nonnenmacher (D) <ellen@snafu.de>
> was trained to be an artist in Hamburg. She was co-founder of frauen und
> technik (women and technology), the once famous "-Innen", and she enjoyed
> being an old boy for a while. Her harddisk is located in Berlin.
>
>
> Faith Wilding (USA) <74447.2452@compuserve.com>,  <fwild@andrew.cmu.edu>
> is a multidisciplinary artist, writer,teacher, and cultural activist. She
> was one of the founders of the feminist art movement in California, and
has
> exhibited, performed, and published her work on women and biotechnology
> internationally. Currently she's a recombinant cyberfeminist collaborating
> with feminist/activist groups such as subRosa and CAE to investigate new
> possibilities for an embodied cyberfeminism.
> Faith Wilding Home Page:  http://www.art.cfa.cmu.edu/wilding/
> Subrosa Home Page: http://www.artswire.org/subrosa
>
> GashGirl (Adelaide/Rome) <dollyoko@thing.net>
> has been working in the field of new media since 1984 as an arts manager,
> curator, corporate geisha girl, cyberfeminist, puppet mistress and ghost.
> Squandered hours investigating the artistic and erotic potential of
> negotiated email relationships, online virtual communities and web-based
> narrative architectures have been reverse engineered into multiple
> immaterialities.
> fleshmeat, her novella about love, lust and death on the net, will be soon
> published.
> <a href="http://www.thing.net/~dollyoko";>dollspace</a> drifts through
> haunted ponds, detestable pleasures and military bunkers testing the
theses
> that 'all women are ghosts and should rightly be feared', 'all history is
> pornography' and 'laws are made by men who fuck their daughters'.
> <a href=" http://www.thing.net/~dollyoko/LOSDIAS/INDEX.HTML";>Los Dias y
Las
> Noches de los Muertos</A>, uses the soft architecture and screenal bodies
of
> the net to create a ghost work of counter-memories, opening thresholds of
> impossibilities outside of pan-capitalism.
>  Recently GashGirl has morphed into Liquid Nation, a sibyl from future's
> memory, joining <a Href="
> http://z.parsons.edu/~ludin/final_pages/indexold.html";>
> Identity_Runners</a>, Ephemera and Discordia, throughout a weary
> transportation of transmissions with time so small it stiches itself
through
> the imaginary framework as a voice revealing the thematics of our current
> ruin.
> Her online projects squat the screens at <a
> href="http://sysx.org/gashgirl/";>System-X</a>.
>
>
> Helene von Oldenburg <113121.1464@compuserve.com>
> lives in Rastede and Hamburg, Ger-many. She holds a doctor's degree of
> Agricultural Science and a Diploma in Visual Arts. She is member of obn
and
> director of the Institut for Experimental Archnology. Selection of works:
> "Der Imaginale Ort IV", Kunsthalle Hamburg (1991), "Nine Sculptures New
York
> 1993", The Thing <http//:www.thing.net>, "Information Molekules" a
research
> project in futurology (1994), "Traces of Future. New Ways of Experimental
> Arachnology", Fernerkundung, TheaLit, Übersee Museum, Bremen (1996),
> "Spider-Feminism", hybrid workspace, Kassel (1997), "Arachnoide
Produktion/
> Schnittstelle Zukunft", Schnittstelle/ Produktion, Shedhalle, Zürich
(1998),
> "Arachnoide Öffentlichkeit: eine Experiment", Produktion/ Öffentlichkeit,
> Kunsthalle Exnergasse, Wien (1999)
> http://www.mars-patent.org
>
>
> Ieva Auzina (LV) <ieva@re-lab.net>
> art historian, lives and works in Riga, Latvia. Member of the e-lab crew.
>
>
> Iliyana Nedkova (BG/GB) <translocal@fact.co.uk>
> is an independent producer and researcher of old and new media art events.
> She is currently an associate curator at the Foundation for Art & Creative
> Technology - FACT, in Liverpool, where she has worked on "The Other Side
of
> Zero:Video Positive 2000", "Revolution98: ISEA98" and "Escaping Gravity:
> Video Positive 1997".  She is also a MPhil/PhD research student at the
> School of Art and Design, Liverpool John Moores University. Her recent
> projects and publications include "Spacecraft", "Virtual Revolutions",
"The
> Right One", "Crossing Over", "Communication Front", "Video Archaeology"
and
> "Seeing Through Flame". Iliyana regularly delivers talks at various
> contemporary art forums and publishes widely.
>
>
> Irina Aristarkhova  (RU)
> <aristarkhova@glasnet.ru>
> received her MA from the University of Warwick (UK), with thesis entitled
> "Women and Government in Bolshevik Russia" and defended her PhD thesis
> "Female Identity in Contemporary French Psychoanalysis" in the Russian
> Academy of Sciences. She teaches the post-graduate course "Subjectivity
and
> Difference" in the Institute of Sociology (Moscow), which is to be
published
> as a separate text-book this year. She also teaches courses in
cyber-theory,
> feminist aesthetics, body in art and culture and French feminism in
Lasalle
> SIA College of the Arts (Singapore). Currently she is preparing the first
> journal in Russian feminist theory. She lives in Moscow.
>
>
> Iliyana Nedkova (BG/GB) <translocal@fact.co.uk>
> is an independent producer and researcher of old and new media art events.
> She is currently an associate curator at the Foundation for Art & Creative
> Technology - FACT, in Liverpool, where she has worked on "The Other Side
of
> Zero:Video Positive 2000", "Revolution98: ISEA98" and "Escaping Gravity:
> Video Positive 1997".  She is also a MPhil/PhD research student at the
> School of Art and Design, Liverpool John Moores University. Her recent
> projects and publications include "Spacecraft", "Virtual Revolutions",
"The
> Right One", "Crossing Over", "Communication Front", "Video Archaeology"
and
> "Seeing Through Flame". Iliyana regularly delivers talks at various
> contemporary art forums and publishes widely.
> Her evolving work can be seen on:
> www.fact.co.uk
> www.yourserver.co.uk/vr
> www.ljudmila.org/co
> www.idea.org/uk/cfront
>
>
> Ina Wudtke (D) <ina@thing.de>
> diploma at Hochschule für Bildende Künste, Hamburg/Germany (B.J. Blume).
> Founded 1992 together with Claudia Reinhardt and Heiko Wichmann the
Magazine
> NEID. Brought the project NEID (=envy) on a higher, extended level
> (transmedial works/shows ).Works with Vision, Sound, Word. Since 1992
> working
> on a foto project called 'foto-studies'. Ina Wudtke takes photographs of
> members of different social groups, such as soldiers (German Bundeswehr),
> fan
> groups, inhabitants of urban districts, Red Cross nurses, members of
> religious
> communities (NYC orthodox Jews) etc. Wudtke's serial photography
reproduces
> the aesthetic standards that subsume the individual within the different
> groups, but also raises fundamental questions concerning this phenomenon.
> With
> the partial integratation of text in her presen-tation, her work provides
a
> subtle commentary.  Lived in N.Y./Hamburg. Moved to Berlin.
>
>
> Josephine Starrs (AUS) <starrs@autonomous.org>
> is an Australian new media artist who has a schizoid relationship to new
> technologies. While entranced with the playful possibilities of the
medium,
> she maintains a healthy paranoia of its obsessions and controlling
> implications. She was a member of the cyberfeminist artist collective, VNS
> Matrix, whose early performance work in virtual communities used irony and
> humour to reveal the gendered biases hard wired into computer culture.
> She worked with Leon Cmielewski to produce the CD-ROM "User Unfriendly
> Interface", an ironic look at the hype surrounding cyberculture. Their
> latest
> projects include a computer game patch entitled "Bio-Tek Kitchen" and
> "Dream Kitchen", an interactive animation on CD ROM.
> http://sysx.org/dreamkitchen
> http://www.anat.org.au/resistant-media/Bio-Tek/
>
>
> Julianne Pierce (AUS) julianne@anat.org.au
> Member of the cyberfeminist artist group VNS Matrix: http://sysx.org/vns/
> Executive director of the Australian Network for Art and Technology:
> http://www.anat.org.au
>
>
> Kerstin Weiberg <weib@snafu.de>, <off.area@bethanien.de>
> studied fine arts in the field of scupture, new media and performance
> currently lives in Berlin and works in the field of computer aided
> installation and web projects since 1990 collaborates with the cross media
> performance group KONIC Thtr from Barcelona and since 1995 collaborates
with
> Richard Schuetz in context related installations and web projects
> http://www.bethanien.de/off.area
> http://www.thing.de/future-perfect
>
>
> Mare Tralla [aka Disgusting Girl] (GB / Estonia) <mare@fuck.it>
> is an Estonia-born artist who currently lives and works in London and
> Tallinn. Presently, she is the Head of the E-Media Center at the Estonian
> Academy of Arts. Her practice involves photography, video, installation,
> performance and digital art. She co-curated "Private Views", a touring
> exhibition of Estonian and British contemporary art and was a co-editor of
> an accompanying academic book. Recently she designed and programmed a
> collective CD-rom "Virtual
> Revolutions". Her webwork is featured on http://www.artun.ee/~trimadu
> http://www.yourserver.co.uk/vr/
> http://www.yourserver.co.uk/vr/private/views.html
>
>
> Maren Hartmann (GB/D) <M.Hartmann@brighton.ac.uk>
> is a Lecturer in Media and Communications at the University of Brighton in
> the UK. She is also pursuing her PhD at the University of Westminster in
> London(a combination of Media Studies and the Hypermedia Research Centre).
> She has studied in Berlin and Brighton (Sussex), where she also worked on
a
> European research network project (EMTEL). Her current research work is
> based around the metaphorical aspects of cyberspace as an emerging culture
> (especially the users and amongst these the cyberflaneur and
cyberflaneuse).
> http://www.flaneur.net
>
>
> Maria Fernandez <Xochipilli@compuserve.com>
> is an art historian (Ph.D. Columbia University, 1993) whose
> interests center on postcolonial studies, electronic media theory, Latin
> American Art and the intersection of those fields. She has taught at
> Columbia University, Carnegie Mellon University, the University of
> Pittsburgh,  the University of Connecticut at Storrs and at the Master of
> Fine Arts Program at Vermont College.
> Selected texts:  "Postcolonial Media Theory" Third Text, 47 (summer, 1999)
> expanded version in Art Journal, fall 1999.
> Interview
> CIE<http://www.nettime.org/nettime.w3archive/199711/msg00001.html>
> "New Canons, Old Histories..."
> http://www.cgrg.ohiostate.edu/Astrolabe/journal/inaugural/fernandez.html
>
>
> Marieke van Santen (NL)
> <marieke@tech-women.nl>
>
>
> Marina Grzinic (SI) <margrz@zrc-sazu.si>
> is doctor of philosophy and works as researcher at the Institute of
> Philosophy at the ZRC SAZU (Scientific and Research Center of the
Slovenian
> Academy of Science and Art) in Ljubljana. She also works as a freelance
> media theorist, art critic and curator. Marina Grzinic has been involved
> with video art since 1982. In collaboration with Aina _mid she has
produced
> more than 30 video art projects, a short film, numerous video and media
> installations, Internet websites and an interactive CD-ROM (ZKM,
> Karlsruhe, Germany). Marina Grzinic has published hundreds of articles and
> essays and 5 books, including  the text Grzinic, "Exposure Time, the Aura,
> and Telerobotics" in The Robot in the Garden: Telerobotics and
> Telepistemology in the Age of the Internet,
> ed. Ken Goldberg (Cambridge, Mass.: MIT Press, 2000)
> Her last book is FICTION RECONSTRUCTED EASTERN EUROPE, POST-SOCIALISM and
> THE RETRO-AVANT-GARDE (Vienna: Edition SELENE in collaboration with
> Springerin, Vienna, 2000; www.amazon.de).
>
> AXIS OF LIFE (Grzinic/ Smid)
> http://www.lois.kud-fp.si/quantum.east
> NET.ART.ARCHIVE (Grzinic/ Smid)
> http://www.zrc-sazu.si/net.art.archive
> Grzinic on Mars through Reiche/Oldenburg
> http://www.mars-patent.org
>
>
> Nat Muller (B)  <Nathalie.Muller@skynet.be>
> is contributing editor of _Fringecore_ magazine
(http://www.fringecore.com),
> a sex educator, and a bookshopkeeper (http://www.belgonet.be/verschil).
She
> is currently living in Antwerp, where she is planning her escape into the
> next millennium.
> http://users.skynet.be/nattyweb
>
>
> Pam Skelton (GB) <PamSkelton@compuserve.com>
> is an artist and senior lecturer at Central Saint Martins College of Art &
> Design. Her work in video and installation have principally involved
> investigations which explore existing traces of history as evidence of
> ruptures and dislocations which occur between site, memory and event.
>
>
> Rachel Baker (GB) <rachel@irational.org>
> Currently embarking on a residency at HTBA http://www.timebase.org
> Rachel Baker hopes to implement in an independent media distribution
> network facility in Hull. The exploitation of the workplace is an ongoing
> project.
> <http://www.irational.org/tm/art_of_work/> As part of Cultural Terrorist
> Agency <http://www.irational.org/cta> she is responsible for strategies in
> raising funds for projects that promote cultural interference. The most
> recent CTA project to be unleashed was GirM , a brand of genetically
> modified goods placed discreetly on supermarket shelves. Rachel Baker is
> also a keen advocate of audio networks
> and has published a  d.i.y net.radio guide
> http://www.irational.org/radio/radio_guide/
> and directory http://www.tmselector.net Full CV at
www.irational.org/rachel.
>
>
> Rena Tangens (D)  <rena@bionic.zerberus.de>
> artist, lives and works in Bielefeld, Germany. Worked with experimental
> film, video and free radio. Founded the gallery and art project "Art
> d'Ameuble-ment" together with padeluun. She brought the first modem to
> documenta  (d8!) and women into the Chaos Com-puter Club. She was artist
in
> residence in Canada. Rena Tangens is cofounder of FoeBuD e.V. and the
BIONIC
> bbs and curator of the monthly culture & technology event PUBLIC DOMAIN
> since 1987. Published with FoeBuD the first manual on PGP encryption in
> German language. She does research on androcentrism and life in the
> networks, lectures and consulting for companies and institutions as well
as
> the Enquete-Kommission of the German Bundestag. Rena Tangens
www.tangens.de
> , PUBLIC DOMAIN -- topics, documentation and info on coming events:
> www.foebud.org  ZaMir network documentation:
> www.foebud.org/texte/presse/artikel
> Information on /CL network: www.cl-netz.de
> Information on ZERBERUS and CHARON software: www.zerberus.com
> Pretty Good Privacy: www.foebud.org/texte/publish/pgp.html
> Text on androcentrism in the networks:
> www.foebud.org/art/TEXTE/andororo.html
> Wiwiwi-nangnangnang: www.foebud.org/art/wiwiwi.html
>
>
> Rasa Smite (LV)  <rasa@parks.lv>
> famous net.audio activist from Riga, Latvia.
> http://ozone.re-lab.net (net.radio ozone)
> http://xchange.re-lab.net (net.audio network)
>
>
> Stephanie Wehner (NL) < _@r4k.net>
> playing with computers since the age of 16. experienced in irc. mostly
> worked with freebsd, linux, sunos/solaris and bsdi. sys admin, programmer.
> Currently working for ITSX.
> http://www.xs4all.nl
> http://www.r4k.net
> http://www.itsx.com
>
>
> Susanne Ackers, D <susanne@ackers.de>, founding member of OBN, art
historian
> living and working in the present in Berlin and Karlsruhe.
>
>
> Ulrike Bergermann (D) <bergerma@uni-paderborn.de>
> Working in the media studies department at the University of Paderborn,
> Germany, I am also busy in the women's cultural center of Bremen, and
living
> in Hamburg. My doctoral dissertation deals with discourses on writing and
> images and with sign language notation. Will be working on genetics and
> cybernetics soon. You'll find my publications on media and gender studies
as
> well as current projects, lectures, courses etc. here:
> www.uni-paderborn.de/~bergerma.
> See the HAND-lab based in Bremen, Germany, and its lectures, films,
> exhibitions presented by women researchers, artists and activists:
> www.thealit.dsn.de/hand/index.html
>
>
> Ursula Biemann (CH) <biemann@access.ch>
> artist and former curator at Shedhalle Zurich, focuses on gender and
> post-colonial issues in collective projects and videos located in the
urban
> sphere (Istanbul/ Mexico).
> http://www.iniva.org/celluloid/biemann.html
> http://www.lumpen.com  --> [Lumpen Vision]
>
>
> Vali Djordjevic (D) <valid@sero.org>
> lives and works in Berlin. Originally she studied comparative literature
> before becoming a member of the Internationale Stadt Berlin, one of the
> first net culture projects in Germany, 1996. She worked with Old Boys
> Network 1997 and co-organized the first Cyberfeminist International at the
> documenta X in Kassel. Now she is a member of mikro e.V.
> <http://www.mikro.org>, a Berlin based association examining the different
> facets of media culture, and list administrator for the FACES mailing list
> <http://faces.vis-med.ac.at>. She works in different contexts - from
writing
> and lectures to organizing events and setting up of computer networks - on
> the topics of gender, networking, information and art.
>
>
> Verena Kuni (D) <verena@kuni.org>
> art historian and media theorist, since 1996 assistant at the dept. for
art
> theory at Johannes Gutenberg-university Mainz, Fb. 24/fine arts. Besides
> working as free lance curator, author and critic for art magazines (i. a.
> neue bildende kunst/Berlin, Kunst-Bulletin/ Zurich, Frieze/London, Camera
> Austria/Vienna). Research, teaching, lectures and writings in the field of
> contemporary arts, especially on the (public) image of the artist, old and
> new mythologies in art history, the history and aesthetics of electronic
> media and gender related issues. Member of old boys network.
> http://www.kunst.uni-mainz.de/~kuni/welcome.htm
>
>
> Victoria Vesna is an artist, professor and Chair of the Department of
Design
> | Media Arts at the UCLA School of the Arts. Vesna's work can be defined
as
> experimental research that connects networked environments to physical
> public spaces. She explores how communication technologies effect
collective
> behavior, and shift perceptions of identity in relation to scientific
> innovation. Vesna is currently building a 'community of people with no
time'
> and is exploring the performative aspects of cellular telephones in public
> spaces. In 2000 she completed her Ph.D. at CAiiA, University of Wales,
> entitled "Networked Public Spaces: An Investigation into Virtual
> Embodiement". http://vv.arts.ucla.edu
>
>
> Yvonne Volkart (CH) <yvolkart@access.ch>
> is curator, art critic, writer and lecturer of German and New Media at the
> Hochschule of Art and Design in Zurich. She lectures at several European
art
> schools and universities (such as University of Applied Arts, Vienna,
> University of Zurich, Dep. Art History). She planned and organized several
> conferences, and was one of the coorganizers of »Next Cyberfeminist
> International«, Rotterdam, March 1999. In spring 2000 she curated the show
> »Tenacity. Cultural Practices in the Age of Bio- and
> Informationtechnologies«, New York/Zurich, March/July 2000
> (http://www.thing.net/~tenacity). She is currently writing a PhD about
> gender, new media, and fantasies of the posthuman.
>
>
>
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> :::::"A smart artist makes the machine do the
work"::::::::::::::::::::::::
> ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::
> ::::::::::::::::::::::: [net.art generator]: http://www.obn.org/generator
:
>
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> :Cornelia Sollfrank | Rutschbahn 37 | 20146 Hamburg | Germany
:::::::::::::
>
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::0173-6173348:
>
>
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