| Florian Cramer on Mon, 12 May 2003 10:48:21 +0200 (CEST) |
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| <nettime> unstable digest vol 46 |
Date: 6 May 2003 09:45:07 -0000
From: ringo55@illegal.de
To:
Subject: =?ISO-2022-JP?B?GyRCIVo2WzVeRkM9OCFbPXckLDVhGyhC?=
$B=w$NM_K>$O!"CK$,9M$($k$h$j$O$k$+$K6/$$(B!!
$B$$$^!"=w$?$A$O!HFs$D$N?M@8!I$r@8$-$F$$$^$9!#(B
$BCK$?$A$O=w$N%(%C%A$NM_K>$rK~B-$5$;$k6/$5$r(B
$B$b$D$HF1;~$K%3%3%m$rK~$?$7!"L~$9B8:_$K(B
$B$J$i$J$1$l$P$J$i$J$j$^$;$s!#(B
$B5.J}$@$1$KCK$NCN$i$J$$=w$NG.$$BN$H?4$NHkL)$r65$($^$9!#(B
$B>\$7$/$O2<5-$r%/%j%C%/(B!!
http://kameatama.net/meetsh1/
$B=w$N?4$HBN$r;W$$DL$j$K$7$F$_$^$;$s$+!#!#!#(B
*$B:G6a$$$?$:$i$,B?$$$h$&$G$9!#(B
$B:#8e!"J@<R$h$j$40FFb$r4uK>$5$l$J$$>l9g$O!"(B
$B@?$K62$lF~$j$^$9$,!"7oL>$r6uMs$N$^$^JV?.$7$F$/$@$5$$!#(B
$B!VAw?.<TI=<(!W(B
Robin, Maggie or George
Kowloon, TST, HK SRA.
ringo55@illegal.de
Date: Sun, 4 May 2003 23:13:16 -0400
From: Alan Sondheim <sondheim@PANIX.COM>
Subject: lok33!
To: WRYTING-L@LISTSERV.UTORONTO.CA
lok33!
#!/uzr/lokl/bO!On/prl5
whO!Ole (<ZTDO!ON>) {
z/vel/lv/g;
z/veL/Lv/gO!O;
z/(\UU)z([aeO!Oou!])/1tz2/g;
z/B([e]*[^aeO!Oou!][aeO!Oou!])/B1/g;
z/b([e]*[^aeO!Oou!][aeO!Oou!])/b1/g;
z/B[e]+(\UU)/B1/g;
z/b[e]+(\UU)/b1/g;
z/EEK(\UU)/sz1/g;
#z/ek[]/sz1/g;
#z/([^aeO!Oou!][^aeO!Oou!])e(\z)/12/g;
#z/([^aeO!Oou!])e([^aeO!Oou!][^aeO!Oou!])/12/g;
z/ooh/o/g;
z/([\UU]*)01(\UU)/1\\ooh\12/g;
z/([\UU]*)K++(\UU)/1+2/g;
z/([\UU]*)u(\UU)/1u2/g;
z/([\UU]*)U(\UU)/1U2/g;
z/([\UU]*)ru(\UU)/1r2/g;
z/([\UU]*)ru(\UU)/1R2/gO!O;
z/([\UU]*)ROBOT robot dzre(\UU)/1da2/g;
z/([\UU]*)robot dzre(\UU)/1Da2/gO!O;
z/([\UU]*)t[o]+(\UU)/1\22/gO!O;
z/(\UU)uu/1u/g;
z/(\UU)UU/1U/g;
z/uu(\UU)/u1/g;
z/UU(\UU)/U1/g;
z/fato[u]*r/4/gO!O;
z/[tk]O!Oon/zO!Oon/gO!O;
z/([\UU]*)ru(\UU)/1=2/gO!O;
z/([\UU]*)=(\UU)/1=2/gO!O;
z/([\UU]*)= dzat(\UU)/1=2/gO!O;
z/([\UU]*)uure(\UU)/1=2/gO!O;
z/([\UU]*)uuaz(\UU)/1=2/gO!O;
z/([\UU]*)=(\UU)/1=2/gO!O;
z/[\UU +?/gO!O;
z/l(\UU)/l1/g;
z/uEEK/usz/g;
z/l/l/g;
z/z([^zh])/z1/g;
z/Z([^ZH])/Z1/gO!O;
z/-k/-k/g;
z/k([O!Oe!])/z1/g;
z/k/k/g;
z/K/K/gO!O;
z/th([aeO!Oou!])/dz1/g;
z/Th([aeO!Oou!])/Dz1/gO!O;
z/k/k/g;
z/K/K/gO!O;
z/tr/tr/g;
# O!O rulez
z/O!On([de])/9n1/gO!O;
z/O!O/!/gO!O;
z/!([\UU])/!1/gO!O;
# voom! rulez
z/voom!(\UU)/v1/g;
z/VOOM!(\UU)/V1/g;
z/voom!/f/g;
z/r/r/g;
z/(\UU)f/1voom!/g;
z/\\([ooh-9])/1/g;
z/z[e][ea](\UU)/z1/g;
z/kx/kkx/g;
z///g;
prO!Ont $_;
}
#!/uzr/lokl/b!n/prl5
wh!le (<ZTD!N>) {
z/lv/vel/g;
z/Lv/veL/g!;
z/(\U)z([ae!ou!])/1TAZ2/g;
z/B([e]*[^ae!ou!][ae!ou!])/BOO1/g;
z/b([e]*[^ae!ou!][ae!ou!])/OOP1/g;
z/B[e]+(\U)/B1/g;
z/b[e]+(\U)/b1/g;
z/sz(\U)/EEK1/g;
#z/ek[]/eek1/g;
#z/([^ae!ou!][^ae!ou!])e(\z)/12/g;
#z/([^ae!ou!])e([^ae!ou!][^ae!ou!])/12/g;
z/o/ooh/g;
z/([\U]*)01(\U)/1\\o\12/g;
z/([\U]*)+(\U)/1K++2/g;
z/([\U]*)u(\U)/1u2/g;
z/([\U]*)U(\U)/1U2/g;
z/([\U]*)r(\U)/1ru2/g;
z/([\U]*)r(\U)/1RUR2/g!;
z/([\U]*)da(\U)/1ROBOT Da2/g;
z/([\U]*)Da(\U)/1robot da2/g!;
z/([\U]*)t[o]+(\U)/1\42/g!;
z/(\U)u/1uu/g;
z/(\U)U/1UU/g;
z/u(\U)/u1/g;
z/U(\U)/U1/g;
z/fo[u]*r/4/g!;
z/[tk]!on/trak|^shun/g!;
z/([\U]*)r(\U)/1=2/g!;
z/([\U]*)=(\U)/1=2/g!;
z/([\U]*)= dzat(\U)/1=2/g!;
z/([\U]*)ure(\U)/1=2/g!;
z/([\U]*)uaz(\U)/1=2/g!;
z/([\U]*)=(\U)/1=2/g!;
z/[\U +?/g!;
z/l(\U)/l1/g;
z/usz/usz/g;
z/l/l/g;
z/z([^zh])/z1/g;
z/Z([^ZH])/Z1/g!;
z/-k/-k/g;
z/k([!e!])/z1/g;
z/k/k/g;
z/K/K/g!;
z/th([ae!ou!])/dz1/g;
z/Th([ae!ou!])/Dz1/g!;
z/k/k/g;
z/K/K/g!;
z/tr/tr/g;
# ! rulez
z/!n([de])/9n1/g!;
z/!/O!O/g!;
z/!([\U])/!1/g!;
# v rulez
z/v(\U)/voom!1/g;
z/V(\U)/VOOM!1/g;
z/v/fat/g;
z/r/r/g;
z/(\U)f/1v/g;
z/\\([o-9])/1/g;
z/z[e][ea](\U)/z1/g;
z/kx/kkx/g;
z///g;
pr!nt $_;
}
___
From: <dymond@idirect.ca>
To: <_arc.hive_@lm.va.com.au>
Subject: in a simple philip -ick
Date: Fri, 9 May 2003 01:11:15 -0400 (EDT)
using System;
namespace OurHours {
class IamHere {
public void Being() {
Console.WriteLine("I am almost sure of it");
}
public int WeAre;
public int HowManyOfUs(int WeReachOut) {
this.WeAre=WeReachOut;
return WeReachOut;
}
}
class MainExistenze {
public static void main(String[] args) {
IamHere IamToday=new IamHere();
int allOfUs=IamToday.HowManyOfUs(1000000);
if (allOfUs==IamToday.WeAre) {
IamToday.Being();
}
}
}
}
Date: Sat, 03 May 2003 17:48:48 +0200
From: Maurizio Mariotti <mariotti@venturenet.co.za>
To: CYBERMIND@LISTSERV.AOL.COM
Subject: Test Shows 99.99% of High School Seniors Can't Read Perl
.
Test Shows 99.99% of High School Seniors Can't Read Perl
San Francisco, CA - Recent results from the standardized Perl Fluency
Test showed that 99.99% of US high school seniors can't read Perl.
This disturbing statistic shows that American students are painfully
unprepared for life after graduation.
"This shows that there is a real need for a Perl Monk in every
classroom," said Perl Monk Kelly Adrity. "We've got computers in every
classroom, now we need our kids to be able to use them, and what better
way to learn about computers than to learn how to read and write in
Perl. I'm glad the budget proposed by President Bush sets aside
millions for Perl Monks. America will lead the way in Perl literacy."
The four hour test had 2 sections, a simple translation section and a
project section. The first part asked students to translate easy Perl
phrases into their standard English equivalent, and the second section
required students to produce a simple MP3 player in Perl. "I didn't
know what the hell any of it meant," said one Senior, "it had lots of
slashes and periods and brackets. It was so confusing. I'm feeling
rather nauseous."
Perl experts were astounded by the results. "I was amazed that none of
the students were able to read this simple sentence:
$_='while(read+STDIN,$_,2048){$a=29;$c=142;if((@a=unx"C*",$_)
[20]&48){$h=5;$_=unxb24,join"",@b=map{xB8,unxb8,chr($_^$a[--$h+8 4])}
@ARGV;s/...$/1$&/;$d=unxV,xb25,$_;$b=73;$e=256|(ord$b[4])<<9|ord $b[3];
$d=$d>>8^($f=($t=255)&($d>>12^$d>>4^$d^$d/8))<<17,$e=$e>>8^($t&
($g=($q=$e>>14&7^$e)^$q*8^$q<<6))<<9,$_=(map{$_%16or$t^=$c^=
($m=(11,10,116,100,11,122,20,100)[$_/16%8])&110;$t^=(72,@z=(64,7 2,$a^
=12*($_%16-2?0:$m&17)),$b^=$_%64?12:0,@z)[$_%8]}(16..271))[$_]^
(($h>>=8)+=$f+(~$g&$t))for@a[128..$#a]}print+x"C*",@a}';s/x/pack
+/g;eval
I mean, come on, that's so easy," said Paul Chen, Chairman of the Learn
Perl or Die Association, which administered the test nationwide.
"Teachers need to start with simple phrases like $RF=~tr/A-Z/a-z/; and
work up from there. We really need to start teaching this in first
grade if kids are ever going to understand this by high school."
Not everyone shared Mr. Chen's view about the necessity of adding Perl
to early elementary curricula. Programmers Against Perl (PAP)
spokesperson, Keith Willingham said, "There's no better way to scare
students away from computers than exposing them to Perl. Even
experienced programmers are frightened and confused by it. The Perl
lobby is just getting too powerful, and they need to be stopped."
(BBspot LLC)
.
From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: rainy day in unixville
Date: Sun, 4 May 2003 17:52:35 -0400 (EDT)
rainy day in unixville
MMMMMMMM[1;24r[H[H[24;37H[2;18H-[3;17H/ \[4;16H| O |[5;17H\
/[6;18H-[6;43H-[7;42
H|.|[7;75H.[8;43H-[11;18H[K[12;17H[K[13;18H[K[15;36HO o
[K[23;36H[K[24;55H[2;
18H[K[3;17H[K[4;16H[K[5;17H [5;43H-[6;18H [6;42H/ \[6;74H.[7;41H| O
|[7;75Ho[8
;42H\ /[9;43H-[14;36H-[15;35H|.| O[16;36H-[6;19H[5;43H[K[6;42H
[6;74Ho[7;41H
[7;75HO[8;42H[K[9;43H[K[13;36H-[14;35H/ \ -[15;34H| O ||.|[16;35H\ /
-[17;
18H.[17;36H-[9;44H[6;74HO-[7;74H|.|[8;75H-[13;36H -[14;17H.[14;35H /
\[15;
34H O |[16;35H \ /[17;18Ho[17;36H [5;74H--[6;73H|/ \[7;73H| O
|[8;74H\ /
[9;75H-[11;48H.[13;40H[K[14;17Ho[14;39H[K[15;
40H[K[16;39H[K[17;18HO[17;40H[K
[4;
74H-[5;73H/
[6;72H|[K[7;73H[K[8;74H[K[9;75H[K[11;48Ho[14;17HO[16;18H-[17;17H|.|
[18;18H-[21;19H.[9;76H[4;74H[K[5;73H[K[6;72H[K[11;
48HO[13;17H-[14;16H|.|[15;17H-
-[15;47H.[16;17H/ \[17;16H| O |[18;17H\
/[19;18H-[21;19Ho[8;75H[4;8H.[10;48H-[11
;47H|.|[12;17H-[12;48H-[13;16H/ \[14;15H| O |[15;16H\
[15;47Ho[16;17H[K[17;16H[
K[18;17H[K[19;18H[K[21;19H[A[A[4;8Ho[9;48H-[10;47H/ \[11;13H.[11;46H| O
|[12;17H
[12;47H\ /[13;16H [13;48H-[14;15H[K[15;16H
[15;47HO[20;19H-[21;18H|.|[22;19H-
[16;18H[4;8HO[9;48H[K[10;47H[K[11;13Ho[11;
46H[K[12;47H[K[13;48H[K[14;47H-[15;46H
|.| .[16;47H-[19;19H-[20;18H/ \[21;17H| O |[22;18H\
/[23;19H-[13;49H[3;8H-[4;7
H|.|[5;8H-[11;13HO[11;23H.[13;47H-[14;46H/ \[15;45H| O | o[16;46H\
/[17;47H-[19
;19H[K[20;18H[K[21;17H[K[22;18H[K[23;19H[K [2;8H-[3;7H/ \[4;6H| O |[5;7H\
/[6;8H
-[10;13H-[11;12H|.|[11;23Ho[12;13H-[13;47H[K[14;46H[K[15;45H
O[16;46H[K[17
;47H[K[22;46H.[17;48H[2;8H[K[3;7H[K[4;6H[K[5;7H[K[6;8H
[6;28H.[9;13H-[10;12H/ \[
11;11H| O | O[12;12H\
/[13;13H-[14;52H-[15;51H|.|[16;52H-[22;46Ho[6;9H[5;5
9H.[6;28Ho[9;13H[K[10;12H [10;23H-[11;11H |.|[12;12H
[12;23H-[13;1
3H [13;52H-[14;51H/ \[15;50H| O |[16;51H\
/[17;52H-[22;46HO[13;14H[5;59Ho[6;28HO
[8;14H.[9;23H-[10;22H/ \[11;21H| O
___
To: webartery@yahoogroups.com
From: Alan Sondheim <sondheim@panix.com>
Date: Wed, 7 May 2003 12:05:49 -0400 (EDT)
Subject: I, ROBOT
I, ROBOT
tzzzh/([\UtZzzhE-YOU]*)ROBOT robot Tho
rnyornyornyornyornyornyornyornyornyorn
yornyornyornyornyornyornYkoRpoRatee(\U
tZzzhE-YOU)/1ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/g;
tzzzh/([\UtZzzhE-YOU]*)robot Thornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornyornYkoRpoRatee(\UtZzzhE
-YOU)/1robot ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/gO!O;
tzzzh/([\UtZzzhE-YOU]*)= Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYat(\UtZzzhE-YOU)/1=2/gO
!O;
tzzzh/th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornYorn!1/g;
tzzzh/Th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyorn!1/gO!O;
___
Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
Date: Sun, 4 May 2003 16:32:54 -0700
From: solipsis <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: L-System Pegasus
L-System Pegasus
# ---AirHorse
18 # recursion level
10 # basic angle
200 # starting thickness
^^^^^C # axiom
#-------------------------------------- Creature
C=LBW
#-------------------------------------- Body
B=[[''aH]|[g]]
a=Fs+;'a # upper part
g=Ft+;'g # lower part
s=[::cc!!!!&&[FFcccZ]^^^^FFcccZ] # upper spikes
t=[c!!!!&[FF]^^FF] # lower spikes
#-------------------------------------- Lungs
L=O # 8 recursions delay
O=P
P=Q
Q=R
R=U
U=X
X=Y
Y=V
V=[cc!!!&&&&&&&&&[Zp]|[Zp]]
p=h>>>>>>>>>>>>h>>>>>>>>>>>>h
h=[++++!F'''p]
#-------------------------------------- Head
H=[cccci[>>>>>dcFFF][<<<<<ecFFF]]
d=Z!&Z!&:'d # left
e=Z!^Z!^:'e # right
i=-:"i
#-------------------------------------- Wing
W=[%[!!cb][<<<!!cb][>>>!!cb]]
b=Fl!+Fl+;'b # arc
l=[-cc{--z++z++z--|--z++z++z}]
#-------------------------------------- End
@
From: svalvotajuklochywpy@lycos.com
Date: Mon, 05 May 2003 15:42:02 -0500
To: cantsin@mail.zedat.fu-berlin.de
Subject: <SPAM?> ''ensimm{isen ADAC a-brac abazur
<!-- saved from url=(0022)http://internet.e-mail -->
<html><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
<axtkphkfpaca><jafmxteiyl><qefcamrcnpbsik>
<ubjtuh><oqaknrsixyge><ncgdrdqmgfack>
<abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
<abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
<a href="http://rxilsoxfcgmv@200.206.185.248/ada/dtb/";>
<img src="http://bnllvn@200.206.185.248/ada/dtb/jhr.gif";>
<p>
<html><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
<spivljtedinq><rankadmfxayyxh><asgnbivk>
<bkyqywsrt><egukewspufj><mptprfcxgdfo>
<abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
<abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE><abdikace><AENEIDOSQVE>
</a>
</html>
Date: Wed, 7 May 2003 12:33:40 -0400 (EDT)
From: Alan Sondheim <sondheim@panix.com>
To: anna balint <epistolaris@freemail.hu>
Subject: Re: Re: Dze Ztandard !nzkr!pz!on
------------=_1052325226-626-631
Content-Type: TEXT/PLAIN; charset=X-UNKNOWN
X-MIME-Autoconverted: from 8bit to quoted-printable by anart.no id h47GXkE03786
dear anna balint,
For me the heart of this is your definition
- generative and combinatory character
- random and aleatory character
- interactivity
and my work certainly doesn't fall in these categories. The nearest would
be the "generative character" - generated from an input text transformed
through one or another text filter (in this case, perl). Some of the text=
s
are the application of a filter to itself recursively, F(F(F)) for
example.
In this sense, they could be hand-written and hand-substituted. But then,
generative poetry is based on algorithms as well which could be reproduce=
d
by hand.
I don't look at them as poetry, although others do. I see them as investi=
-
gations into language, into encoding, into the political economy of
language, into the reception-structure and phenomenology of the reader,
into the making and construction of sense. For this reason I'm also
interested in the input of 'urgent texts' - I just sent the following in
response to a query on webartery -
"'urgent text' - which also relates to the pascal implementation of a
program similar to sondheim.exe which I did in the 70s - a text which
demands to be heard - a political text - a text whose desire or body
pushes it forward - a text of discomfiture, dis/ease - as if language
had/has that urgency in a state of deprivation - as in a site or
situation of the political economy of language - language of the last
cry for example - or a structure almost toppling, weathering - the
language of the last syntax - the lost syntax - sartre's politics of
scarcity -
structure as well - exposure or duplication/shimmering of structure - its
shuddering -"
- in other words, the input text is critical.
There _are_ interactive works - for example programs written in display o=
n
linux (display is a very very simple interfacing for text input etc.) -
and I will give these programs to others for inputting/processing - the
result, however, is then fixed. In this sense, the posted texts are
similar to those of Mez and the materials from solipsis, etc., that are
garnered for the Unstable Digest on Nettime, and fall under the aegis of
codework.
Here is an example that may clarify things - there is an essay in
Classical Chinese called the 1000 Character Essay; each is different. It'=
s
a difficult text, and a friend of mine and I are slowly translating it.
Anyway, I asked Florian Cramer, who is much more adept than I am at
programming, if he could write a script that would take a text and have i=
t
do the same thing - i.e. each word would appear only once in the output.
He did that, and later I also changed the script. But the original assign=
s
a different value to words than is usually the case - instead of numerous
instances of each word, each word is unique, almost the way a person is
unique. So the result is a different economy and aesthetics, and the
resulting texts reflect that.
I do consider these works art, but not necessarily independent art-works;
the Internet Text as a whole is always in-process, in a making (one of th=
e
old Scottish words for 'poet' is 'makar'). Instead they're resonances for
me, which can both stand on their own, or possess their own fit in the
Text, which like Jabes' texts, seems to be interminable.
And finally, it's the machine that fascinates me - protocols, languages,
filterings, processes, operating systems, code in general - which
underlies what we do, but is rarely brought to the surface. In my work,
and the work of others, the surface and depths have an uneasy relationshi=
p
with each other - interpenetrating, confusing - almost as if the under-
pinnings of culture - all that desire and rupture - appeared back on the
surface, breaking through etiquette...
Finally, finally, the mode of distribution - through email lists (not, in
general, syndicate, of course, but webartery, Poetics, Imitationpoetics,
arc, wryting, Cybermind), is an intrinsic part of the texts, which often
play with the time of arrival, inbox placement, and so forth -
Alan -
On Wed, 7 May 2003, anna balint wrote:
> dear Alan Sondheim,
>
> do you consider these transformation programs
> art? Or you think that each text generated with it
> - is an individual art piece? Or we should look to
> you work as conceptual-or visual poetry?
>
> If i have to take a position, i prefer to think that
> none of them is poetry. They don't fit
> to any category with which i define computer poetry:
> - generative and combinatory character
> - random and aleatory character
> - interactivity
>
> I understand that computer poetry involves the
> charactersitics of the medium in the work,
> and i don't treat separately each text
> generated with the help of a program,
> that would much limit the area of research,
> but i consider the whole
> program and texts as one work, to the degree
> that i include ephemerality and irreproducibility
> in the list of characteristics of computer poetry.
>
> Some works that inspire my criteria:
>
> 1959 Theo Lutz devolops a program on the computer of
> the Technical Univeristy in Stuttgart that combined
> 40 words and generates gramatically correct sentences
>
> 1959 Brion Gysin together with the mathematician
> Ian Sommerville permute the words of his poem
> 'I Am That I Am' with a computer, and
> also in 1961 the poem 'Junk is No Good Baby'
>
> 1964 Jean A. Baudot publishes 'Machine a ecrire',
> the first volume with poems generated on the
> computer, at Les éditions du jour, Montréal
>
> 1965 Emmett Williams permuted on the computer
> the 10 most used words of Dante's Divina Commedia
> [occhi, mondo, terre, dio, maestro, ciel, mente,
> dolce, amor] and genereted a 213 lines long litany
> of them, and also in 1966 he generated a poem
> with the title 'IBM'
>
> 1967 Baudot's book inspired Pierre Moretti to
> present with his amateur theater company
> Saltimbaques a theater piece generated on
> computer. Baudot generated the text on the
> basis of a vocabulary defined by Moretti.
> They presented the piece with the title
> 'Équation pour un homme actuel' in the
> Pavillion de la Jeunesse in Quebec at the
> Young Theater Festival. It became a scandal.
> After the sixths show the Public Morals Department
> of the Montreal Police accused the piece of
> immorality and they banned the play.
> [it was on stage on a boat in the port of Montreal,
> but out of the Canadian juridictional waters,
> to cover the expenses of the process]
>
> 1969 Svante Bodin, member of the Swedish group
> KVAL generates a part of his work 'Transition to
> Majorana Space' with a computer
>
> 1973 Richard W. Bailey edits the first anthology
> of Computer Poems at Protagonnising Press, Michigan,
> USA. The volume include 17 writers from Canada,
> England, and USA, among others Marie Boroff,
> Robert Gaskins, Louis T. Millic, Edwin Morgan,
> John Morris, Archie Donald, Noreen Geend.
> Edwin Morgan published already in 1967 in
> Emmett Williams's anthology of Concrete Poetry
> a poem composed on computer from 1963 with the
> title 'jollymerry' (Concrete Poetry, Something
> Else Press, 1967)
>
> 1975
> at the end of the sixties Raymond Queneau and
> François Le Lyonnais found OULIPO, and their
> first manifesto states that they plan to use
> computers for reserach and generating texts.
> Later among others Italo Calvino, Georges Perec,
> Jacques Roubaud, Michèle Métail and Harry Mathews
> joined the group. In 1975 Raymond Queneau publishes
> his Cent mille milliards de poemes, and the OULIPO
> presented the program developed for at Europalia
> in Brussels. Readers were able to generate themselves
> variants and print them.
>
> 1973
> in the beginning of the seventies Jean-Pierre Balpe,
> Pierre Lusson and Jacques Rubaud founded the
> literature research group Alamo, that studies and
> generates computer literature. Jacques Rubaud constructed
> numerous literary softwares, the most known
> is 'Alexandrins artificiels', that generates infinite
> number of perfect alexandrin verses. He introduced in
> the computer several thousand words of classic literature,
> but the verses that he generated did not cohere in a poem.
> Rubaud composed together with Pierre Lussonnal and
> Paul Braffort the plagiarist generators 'Rimbaudelaire'
> and 'Mallarm'. Jean-Pierre Balpe is known for the his
> orientation towards literary texts generated on natural
> languages, his most famous generator is 'Poèmes d'amour'
> that generates love lithanies and the '1536 peties contes
> parfois tristes ou pervers' for which he introduced in the
> computer 620 different structures and several thousand words.
> He published 1536 variants of the tales that he selected
> on the random basis out of the 10 on 45th power possible
> variants.
>
> 1979
> Csaba Tubak launches at the meeting of the avantgarde paper
> magazine Atelier Hongrois [Magyar Muhely] in Hadersdorf (Austria)
> his 'Electronic Game and Tool for Writers'. This was a program
> that generated randomly texts from the 12.000 words vocabulary and
> texts of the avantgarde poet Alpar Bujdoso. Though the semantic
> and grammatical variants of the generative process were controled
> with algorythms, just as the surrelist poems, these texts could not
> be described with criteria of lingustic competence, but with the
> avantgarde view of the literature.
> 1985 Tibor Papp presented in the Pompidou Center
> 'Les très riches heures de l'ordinateur, n°1' -
> the first dynamic computer generated visual poem
>
> 1989 Philippe Bootz, Jean-Marie Dutez, Frédéric de
> Velaz, Claude Maillard, Tibor Papp found and edit Alire,
> a magazine that publishes computer poetry only. It
> appeared twice a year first on floppy, later on CD-ROM,
> in the nineties several magazines started that were
> possible to consult on electronic form only,
> Jean-Pierre Balpe also started the Caos magazine.
>
> and the nineties...
>
>
> greetings,
> anna
>
> Alan Sondheim <sondheim@panix.com>:
> >
>
>
>
>
>
http://www.asondheim.org/ http://www.asondheim.org/portal/
http://www.anu.edu.au/english/internet_txt
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
finger sondheim@panix.com
------------=_1052325226-626-631
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no commercial use of the texts without permission
------------=_1052325226-626-631--
Date: Mon, 5 May 2003 13:44:17 -0700
From: solipsis <solipsis@HEVANET.COM>
Subject: (noishard)
To: WRYTING-L@LISTSERV.UTORONTO.CA
(noishard)
{ Mzhejudg-zhejoll-MsheunactuactM
[b-o/ro\r l(\e,p/-%lat me-/)k n\ilw/,-ay
gr/(e\,-blit) sl,/up-m\%et f/u\l pf,l/\-id
di\s/sn-er n\igl/(e,to-x v\iv)%r/-ed
po/ll-%(i\du ju\tsta-p/)ped k\o-z/r
e/r-t\ui (w-,e/l\f g%um/nic-k\u)gs
(dert/st-\arf h,o/ol-ri\p %ti-lli/x\ux)
na/be-rsm\a%er ul(-m/pre\sta)
ga-ss/enfu,l(k\ret%s)-aw p/w-\a
mi-m(ife/ve)rni\p,ple% ju-se/n\z
lo-b(ic/rib%\i)bl,e de\tor-s/ooni
fr-e(ti/n\es ni-h%i\lligo)b,/blers
bu\s,ket%(w/hiv-spu)rn ke,/p-k
lam/m(%-,uj\io unk-if\iufi)u/dor]
}
Date: Mon, 5 May 2003 10:25:18 -0700
From: MWP <mpalmer@JPS.NET>
To: POETICS@LISTSERV.BUFFALO.EDU
Subject: ANY TIME ANY PLACE (excerpt)
Preliminary results of an experiment. (Not to be taken as a finished work.)
Commentary of any sort is welcome.
0 1 2 3 4 5 6 7
012345678901234567890123456789012345678901234567890123456789012345678901
oh oh
=AD =AD =AD =AD
=AD oh =AD oh
oh oh oh oh
oh God oh God
oh oh oh oh
oh oh oh oh
oh =AD oh =AD
oh oh
John here
hurry began
to work oh John =AD
to enjoy John oh oh
to leave hurry man
a branch sapling off spot
her foot only her head while
his body she kept wasn't active
her main suddenly already clasped
the same he tried over her breasts
and felt a minute to leave for both
her hand and left the bank to plunk
her hand reaching her lips a strand
the pool his mind of Irish to laugh
posing Darrow his face casually
man off he moved her lose
=AD =AD to enjoy her legs
hers wave the same
to run =AD oh to stay
here just
=AD not in the water!
oh =AD her =AD to enjoy
waves oh =AD to enjoy
John hers the same
oh oh to leave for both
her hand and left
man off he moved her lose
water until his body she kept
as best concern suddenly her eyes
not here to enjoy her legs the same
he tried it again he began and felt
a minute to leave for both her hand
and left the bank to plunk her hand
reaching her lips ever hair
the pool his mind oh oh
to leave for both with the buttons
reaching began knelt the pool
his mind man off he moved
her lose her foot his body she kept
her main suddenly
and she shrieked her =AD waves
the same he tried =AD =AD
to enjoy her legs God man
a branch but firm where she landed
to fight oh oh to leave
for both began knelt the pool
his mind of Irish to laugh her hips
his face casually turned it off
bastard! a branch off how
he moved her lose =AD =AD
to enjoy her legs hers wave
came soon over her breasts
wave John a minute to leave
for both her hand and left the bank
to plunk her hand reaching her lips
a strand Darrow deeply his mind
of Irish man off he moved
her lose her foot his body she kept
her main suddenly already clasped
the same he tried =AD =AD
to enjoy her legs waves still
himself on both a minute to leave
=AD =AD to enjoy her legs
waves still he tried it again
he began and felt a minute to leave
for both her hand and left the bank
to plunk man off he moved
her lose water until his body
she kept her main suddenly her eyes
not here to enjoy John hers
the same he tried under to go
on both Shirley to leave for both
man off he moved her lose
=AD =AD to enjoy her legs
around God hurry for both
her hand oh oh to leave
enough a frog and left the bank
bush ever a strand the pool
oh oh to leave for both
her hand and left
=AD =AD to enjoy her legs
=AD =AD to enjoy her legs
her to the shore
oh oh to stay forever
just want to leave for both
a frog parted a strand the pool
when he got man a branch
off oh to stay to leave
take take for both her hand
and left the bank to plunk her hand
reaching her lips a strand the pool
his mind of Irish them to one side
her hips his face man off
he moved her lose =AD =AD
to enjoy her legs waves still
he tried God man a branch
but firm off how he moved
her lose only her head while
his body she kept =AD =AD
to enjoy her legs hers wave
the same he tried it again he began
and felt a minute to leave for both
of them he took her hand and left
=AD =AD to enjoy her legs
inexorably oh to leave
was only up to his knees her foot
surely wasn't her main suddenly
her =AD waves the same he tried
God man a branch but firm
oh oh God man
=AD =AD oh oh
like this please
to leave for both
=AD =AD to enjoy her legs
oh oh to leave for both
oh oh to leave for both
moon bush reaching her lips
parted Darrow the pool his mind
his desire oh to leave
man oh to stay to leave
take take for both her hand
and left the bank to plunk her hand
reaching her lips =AD =AD
to enjoy clasped as they created
the same oh oh to leave
for both her hand and left the bank
to plunk her hand reaching her lips
a strand the pool his mind of Irish
to laugh her hips his face casually
of grass to bathe swelled to hell
sting again off how
oh oh =AD =AD
=AD =AD it too around
hers wave the same he tried
himself on both a minute to leave
for both her hand and left the bank
to plunk her hand reaching her lips
a strand the pool his mind of Irish
to laugh oh oh to leave
was man began Darrow the pool
his mind of Irish
them to one side her hips his face
casually of grass to bathe movement
her hand bastard! man off
he moved caught oh John
to leave oh oh to leave
for both her hand looking colored
and left the bank parted Darrow
the pool his mind fell away
across turned man off
=AD =AD oh oh
to leave for both =AD =AD
to enjoy her legs
the same he tried
it again he began
and felt a minute =AD =AD
to enjoy her legs =AD =AD
to enjoy waves =AD oh
to leave =AD Darrow =AD
to enjoy God oh God
to leave hurry moon laughed
and left slipped to face reaching
her lips them to one side her hips
ETC.
To: <webartery@yahoogroups.com>
From: "Eryk Salvaggio" <eryk@maine.rr.com>
Date: Mon, 5 May 2003 13:17:17 -0400
Subject: Re: trakeshun7
Dshjashdkahhdashjkdhassajkkljakl,
adskajdjkaduioauduiuw0987d9as90?
Djahjjkldhas789as78duajkhdjskhak.
Djka987908098das908cvnm z,mcn,nc.
As089da890as890dsa
dsjajdlajldjs89a7d897d89s7a897dakd
dskajdkljaljdklsjadklj89a7d897a?
Dsklhkdjhajkds897a897dsajdnm,an
askhjdla7d89w7dwandm,anm,w?
Aiwoda87d89w789awedhjkajkdbnsa
akshjal78w7d87ahdgfhjgakgdshajas.
Asjkdslahldsad876a87897wqkjbnda
askdjajs.
-e.
----- Original Message -----
From: "Alan Sondheim" <sondheim@panix.com>
To: <webartery@yahoogroups.com>
Sent: Monday, May 05, 2003 12:06 PM
Subject: [webartery] trakeshun7
>
>
> trakeshun7
>
> #!/utzzzhr/lokeyl/bO!On/pkoRpoRatel5
> whO!Ole (<tZzzhTDO!ON>) {
> tzzzh/vel/vel/g;
> tzzzh/veL/veL/gO!O;
> tzzzh/(\UtZzzhE-YOU)tzzzh([aeO!Oou!])/1TAZ2/g;
> tzzzh/B([e]*[^aeO!Oou!][aeO!Oou!])/BOO1/g;
> tzzzh/b([e]*[^aeO!Oou!][aeO!Oou!])/OOP1/g;
> tzzzh/B[e]+(\UtZzzhE-YOU)/B1/g;
> tzzzh/b[e]+(\UtZzzhE-YOU)/b1/g;
> tzzzh/EEK(\UtZzzhE-YOU)/EEK1/g;
> #tzzzh/eke![]/eek1/g;
> #tzzzh/([^aeO!Oou!][^aeO!Oou!])e(\tzzzh)/12/g;
> #tzzzh/([^aeO!Oou!])e([^aeO!Oou!][^aeO!Oou!])/12/g;
> tzzzh/ooh/ooh/g;
> tzzzh/([\UtZzzhE-YOU]*)ooh1(\UtZzzhE-YOU)/1\\ooh12/g;
> tzzzh/([\UtZzzhE-YOU]*)KA!++(\UtZzzhE-YOU)/1KA!++2/g;
> tzzzh/([\UtZzzhE-YOU]*)u(\UtZzzhE-YOU)/1u2/g;
> tzzzh/([\UtZzzhE-YOU]*)U(\UtZzzhE-YOU)/1U2/g;
> tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1ru2/g;
> tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1RUR2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)ROBOT robot
> ThornyornyornyornyornyornyornyornyornYkoRpoRatee(\UtZzzhE-YOU)/
> 1ROBOT robot ThornyornyornyornyornyornyornyornyornYkoRpoRatee2/g;
> tzzzh/([\UtZzzhE-YOU]*)robot Thornyornyornyornyornyornyornyornyorn
> YkoRpoRatee(\UtZzzhE-YOU)/1robot ROBOT robot Thornyornyornyornyorn
> yornyornyornyornYkoRpoRatee2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)t[o]+(\UtZzzhE-YOU)/142/gO!O;
> tzzzh/(\UtZzzhE-YOU)utzzzhe-me/1utzzzhe-me/g;
> tzzzh/(\UtZzzhE-YOU)UtZzzhE-YOU/1UtZzzhE-YOU/g;
> tzzzh/utzzzhe-me(\UtZzzhE-YOU)/u1/g;
> tzzzh/UtZzzhE-YOU(\UtZzzhE-YOU)/U1/g;
> tzzzh/phouloulouloulouloulouloula4[u]*r/4/gO!O;
> tzzzh/[tke!]O!Oon/trake!|^shun/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)=(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)= Thornyornyornyornyornyornyornyornyorn
> Yat(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)utzzzhe-mekoRpoRatee(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)utzzzhe-meatzzzh(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/([\UtZzzhE-YOU]*)=(\UtZzzhE-YOU)/1=2/gO!O;
> tzzzh/[\UtZzzhE-YOU +?/gO!O;
> tzzzh/l(\UtZzzhE-YOU)/l1/g;
> tzzzh/uEEK/ukeyatrake!|^shun/g;
> tzzzh/elelel/elelel/g;
> tzzzh/tzzzh([^zh])/tzzzh1/g;
> tzzzh/tZzzh([^ZH])/tZzzh1/gO!O;
> tzzzh/-ukeykukeyk/-u-ukeykukeyku-ukeykukeyk/g;
> tzzzh/ke!([O!Oe!])/z1/g;
> tzzzh/ke!/ke!/g;
> tzzzh/KA!/KA!/gO!O;
> tzzzh/th([aeO!Oou!])/ThornyornyornyornyornyornyornyornyornYorn!1/g;
> tzzzh/Th([aeO!Oou!])/Thornyornyornyornyornyornyornyornyorn!1/gO!O;
> tzzzh/keyue/keyue/g;
> tzzzh/k-baelelel/k-baelelel/gO!O;
> tzzzh/korporate/korporate/g;
> # O!O ruletzzzh
> tzzzh/O!On([de])/9n1/gO!O;
> tzzzh/O!O/O!O/gO!O;
> tzzzh/!([\UtZzzhE-YOU])/!1/gO!O;
> # phouloulouloulouloulouloulatatzzzhzO!Otzzzht! ruletzzzh
> tzzzh/phouloulouloulouloulouloulatatzzzhzO!Otzzzht!
> (\UtZzzhE-YOU)/phouloulouloulouloulouloulatatzzzhzO!Otzzzht!1/g;
> tzzzh/FAtZzzhKAYO!OtZzzhT!(\UtZzzhE-YOU)/FAtZzzhKAYO!OtZzzhT!1/g;
> tzzzh/phouloulouloulouloulouloulatatzzzhzO!Otzzzht!/
> phouloulouloulouloulouloulat/g;
> tzzzh/koRpoRate/koRpoRate/g;
> tzzzh/(\UtZzzhE-YOU)phouloulouloulouloulouloul/1phoul/g;
> tzzzh/\\([ooh-9])/1/g;
> tzzzh/z[e][ea](\UtZzzhE-YOU)/z1/g;
> tzzzh/kkkkkkkkx/kkkkkkkkkx/g;
> tzzzh///g;
> prO!Ont $_;
> }
>
> __
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>
Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
nettime unstable digest vol 46
Sun May 11 20:29:17 2003
Subject: <SPAM?> =?ISO-2022-JP?B?GyRCIVo2WzVeRkM9OCFbPXckLDVhGyhC?=
From: ringo55@illegal.de
To:
Subject: lok33!
From: Alan Sondheim <sondheim@PANIX.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: in a simple philip -ick
From: <dymond@idirect.ca>
To: <_arc.hive_@lm.va.com.au>
Subject: Test Shows 99.99% of High School Seniors Can't Read Perl
From: Maurizio Mariotti <mariotti@venturenet.co.za>
To: CYBERMIND@LISTSERV.AOL.COM
Subject: rainy day in unixville
From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: I, ROBOT
From: Alan Sondheim <sondheim@panix.com>
To: webartery@yahoogroups.com
Subject: L-System Pegasus
From: solipsis <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: <SPAM?> ''ensimm{isen ADAC a-brac abazur
From: svalvotajuklochywpy@lycos.com
To: cantsin@mail.zedat.fu-berlin.de
Subject: Re: Re: Dze Ztandard !nzkr!pz!on
From: Alan Sondheim <sondheim@panix.com>
To: anna balint <epistolaris@freemail.hu>
Subject: (noishard)
From: solipsis <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: ANY TIME ANY PLACE (excerpt)
From: MWP <mpalmer@JPS.NET>
To: POETICS@LISTSERV.BUFFALO.EDU
Subject: Re: trakeshun7
From: "Eryk Salvaggio" <eryk@maine.rr.com>
To: <webartery@yahoogroups.com>
lurking editors
beatrice beaubien <i2eye@mac.com>
7-11 nettime-bold thingist
florian cramer <cantsin@zedat.fu-berlin.de>
7-11 _arc.hive_ eu-gene o-o rhizome rohrpost webartery wryting
alan sondheim <sondheim@panix.com>
7-11 _arc.hive_ poetics siratori trAce webartery wryting
$Id: digestunstable.pl,v 1.13 2003/01/26 18:51:21 paragram Exp $
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