Curt Hagenlocher on Fri, 28 Sep 2001 17:36:29 +0200 (CEST) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
[Nettime-bold] The New Censorship |
"There are reminders to all Americans that they need to watch what they say, watch what they do, and this is not a time for remarks like that; there never is." -- Ari Fleischer, on Bill Maher "One article written for a U.S. Naval War College publication outlined the lessons that the Pentagon could learn from the Falklands model. To maintain public support for a war, the article said, a government should sanitize the visual images of war; control media access to military theaters; censor information that could upset readers or viewers; and exclude journalists who would not write favorable stories." -- from http://www.public-i.org/story_01_092001.htm "Is 20th Century Fox out of its fucking mind? In the climax of the new Michael Douglas thriller "Don't Say a Word" (here comes a spoiler) a man is thrown into a pit and then buried alive under dirt and debris when a structure collapses. As I watched that at a Times Square multiplex last week, it was impossible not to be sickened, thinking of the more than 6,000 New Yorkers lying dead under a pile of debris a few miles down Broadway." -- Charles Taylor, in a salon.com review of "Don't Say a Word" TV Programmers Avoid All Allusions to Attack by Joe Flint The Wall Street Journal, 28/09/01 It was an easy decision for CVS to cut a reference to Osama bin Laden from an episode of its new CIA drama "The Agency." But decisions such as yanking a rather innocuous joke from its comedy "Ellen" highlight the headaches facing Hollywood as it grapples with programming decisions after the Sept. 11 terrorist attacks. In the "Ellen" scene that was pulled earlier this week, Ellen, played by Ellen DeGeneres, tells her mother that her online business has "collapsed." Her slightly ditzy mother replies: "Oh, well thank your lucky stars you weren't there at the time." While making the connection between that dialogue and what happened at the World Trade Center may seem a bit of a stretch, Viacom Inc.'s CBS is taking no chances. "We don't want to be callous or jarring under these extraordinary circumstances," says Martin Franks, the CBS executive vice president who oversees standards and practices. While acknowledging that the line in question is fairly innocent, he says, "There is no manual for this and it will take a while for equilibrium to return." All the networks have been scrutinizing shows, looking for anything that could upset viewers by accidentally reminding them of Sept. 11. General Electric Co.'s NBC backed out of a planned "Law & Order" miniseries that dealt with biological terrorism, while News Corp.'s Fox cut footage of a plane exploding from its highly anticipated new CIA drama "24," which will have its premiere in early November. Not all the decisions are so obvious. Fox's sister syndication unit Twentieth Television, for example, decided to pull from reruns an episode of its cartoon hit "The Simpsons" in which the family goes to New York to retrieve Homer's car, which is parked illegally in front of the World Trade Center While that episode was deemed offensive, earlier this week another episode ran in which Homer tells a character who is considering bailing out of his wedding that such a move is similar to "going to an air show and leaving before the plane crash." "People are genuinely trying to do the right thing," says NBC's standards and practices chief, Alan Wurtzel, "but sometimes things get taken too far." "There is a point where people are overthinking things," says Steve Levitan, creator of the NBC comedy "Just Shoot Me." Now working on a midseason comedy for Fox called "Greg and the Bunny," about a stuffed animal with his own television show, Mr. Levitan finds himself analyzing "line by line and joke by joke," looking for anything that could offend someone. Although his show probably won't get on the air until January at the earliest, the network already has asked him to consider cutting a line in which a character voices his suspicion of government. Having lost two friends in the attacks on the World Trade Center, Mr. Levitan is sensitive to Fox's concerns. "We just want people to enjoy the show," he says. "If there is something there that will take them out of that, we will pull the line out." Sony Corp.'s Columbia TriStar Television unit is weighing whether reruns of its comedy "Mad About You" should have the beginning reworked because the World Trade Center is seen in the opening credits. The opening to NBC's "Law & Order" dropped New York skyline shots with World Trade Center views. Not everyone thinks the entertainment industry should be so focused on excising history right now. "I'm not sure if this attempt to protect Americans from seeing these images in entertainment is such a good thing to do," says Prof. Robert Thompson, director for the Study of Popular Television at Syracuse University. "To go back and retro- actively make every reference and appearance of the World Trade Center vanish is to make it worse," he says, predicting such moves will later be judged as "overreactions." The Emmy awards, which were moved from Sept. 16 to Oct. 7, are being played down, and cast members of HBO's "The Sopranos" and NBC's "The West Wing" aren't attending. Attire, traditionally black-tie, will be business suits, with no red carpet, and opening remarks from Walter Cronkite. While there is a sentiment in the industry that a flashy awards show is out of place right now, people traditionally tune in for the glitz and glamour, and a somber show may not provide the escape viewers often seek from TV. "We will be criticized no matter what we do," says Jim Chabin, president of the Academy of Television Arts and Sciences. -- Curt Hagenlocher curth@motek.com _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold